![]() ![]() Retaking a wicker seat at the invitation of the cafe this past year, he sketched designs for table settings, décor and accessories in his playful style. In his early days in Paris, Montagut would paint the sights of Saint-Germain-des-Prés from the vantage point of Café de Flore. Since moving from Toulouse to the city at 19, Montagut has spent much of his career capturing the city’s most charming details through his watercolors and other artwork, which he sells at his boutique on Rue Madame, a short walk away. This idea is at the heart of a new collection of Café de Flore-themed items created in collaboration with the French illustrator Marin Montagut, known for his painterly celebrations of Paris. ![]() Though it’s no longer the place where de Beauvoir holds court over coffee, the cafe’s delicate dishware and relatively unchanged facade are reminders that history lives on in the objects that remain. Once the Parisian haunt of Simone de Beauvoir, Jean-Paul Sartre and Pablo Picasso, today Café de Flore retains its allure. “ Blacklips: Her Life and Her Many, Many Deaths” will be released on March 14, $75,. Long before she achieved international renown, Anohni and her cohort fortified themselves against a brutally inadequate world by creating their own. The book’s 472 pages of subcultural excavation are part punk zine, part queer avant-garde history, a testament to cross-generational solidarity as the AIDS crisis persisted. The audio accompaniment features downtown luminaries such as Diamanda Galás and Divine, plus several early recordings by Anohni, then known as Fiona Blue. The group’s history of after-hours performance is chronicled in a new music compilation and book presenting photos, scripts, essays and hand-drawn fliers for their plays (“Industrial romance for bruised and battered angels,” reads one “Be beautiful! Worship the devil!” proclaims another). ![]() Do you know any?” The performer Sissy Fitt responded, “That would definitely be me.” Such were the connections forged at the dawn of the Blacklips Performance Cult, a queer-punk theater troupe that, until 1995, staged a new blood-and-glitz-filled play every Monday at 1 a.m. “I’m doing a show, and I’m looking for post-apocalyptic drag queen types. In October 1992, before she became the lead singer of the chamber-pop band Antony and the Johnsons, the musician and visual artist Anohni bounded across New York’s Avenue A, near Tompkins Square Park - clad in a wedding dress and shoes with holes, clutching a pile of papers - and approached a passer-by. ![]()
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